= . = ny 2, 
ws . ee : 
xt seen tear ak 
Pr SSIES eee wee 


af 
~~ 


Lita e we 
Be a ee 


i ant ; f “ i es sg + at FR ees ie 
% ge Te, us 7 = ee ee eS po ar 2 ee = wy eae ny ae ae 
7 ee 1 « ie Rp } N Se a a eee LoS “4 “ 3 SSP 
: ‘ pe yas, x ‘ : "re eee ae RF by : ae 5 ee st y es 
4 Pan “tn i en 4 eae ee eee: ‘ ea 7 
BY ¥ a -. ‘ : pale x ; > en py ot ted nae 


Ae es oe oa a at . ge F 
4h re ae 
¢ , ig h wnt 1 OAR EGR ee eile Maha A 
- a AFR 1 da ED G nd SE ‘ ? > = " ae \ rs 
Pid Se een eee | ara RR PORN AR) ates beta reer Pe) 
yh hea eT RONEN A ol bay A 
jh ' aa Me iy j iy BX ‘ ro , ' . 


ge Ao 


‘Oe 


and European Artists 


CONSIGNED BY 


William Macbeth 
Mrs. Joseph J. Little 


THE ESTATE OF 


Mrs. Florence B. Ruthrauft 
email 


AND OTHER OWNERS 


TO BE SOLD 


Monday, Tuesday and Wednesday Evenings 
April 3, 4 and 5, 1916, at 8:15 o’clock 


On Public Exhibition from Tuesday, March 28th (4) |. 


The Anderson Galleries 


INCORPORATED 


Madison Avenue at Fortieth Street, New York 


CONDITIONS OF SALE 


1. All bids to be PER LoT aS numbered in the Catalogue. © 


2. The highest bidder to be the buyer; in all cases of disputed bids — 


the lot shall be resold, but the Auctioneer will use his judgment as to 


the good faith of all claims and his decision shall be final. He also L 
reserves the right to reject any fractional or nominal bid which in 


his judgment may delay or injuriously affect the sale. 


3. Buyers to give their names and addresses and to make such © 


cash payments on account as may be required, in default of which — 


the lots purchased to be resold immediately. 

4. The lots to be taken away at the buyer’s expense and risk with- 
in twenty-four hours from the conclusion of the sale, and the re- 
mainder of the purchase money to be absolutely paid on or before 
delivery, in default of which The Anderson Galleries, Incorporated, 
will not be responsible if the lot or lots be lost, stolen, damaged, or 
destroyed, but they will be left at the sole risk of the purchaser, and 
subject to storage charges. 

5. To prevent inaccuracy in delivery, and inconvenience in the 
settlement of purchases, no lot will be delivered during the sale. 


6. All lots will be exposed for public exhibition in The Anderson _ 


Galleries before the date of sale, for examination by intending pur- 


chasers, and The Anderson Galleries, Incorporated, will not be re- 
sponsible for the correctness of the description, authenticity, genu- 


ineness, or for any defect or fault in or coneerning any lot, and 


makes no warrauty whatever, but will sell each lot exactly as it is, — 


WITHOUT RECOURS®. But upon receiving before the date of sale, ex- 
pert opinion in writing that any lot is not as represented. The An- 
derson Galleries, Incorporated, will use every effort to furnish proof 
to the contrary, and in default of such proof the lot will be sold sub- 
ject to the declaration of the aforesaid expert, he being liable to the 
owner or owners thereof for damage or injury occasioned by such 
declaration. 

7. TERMS CasH. Upon failure to comply with the above condi- 
tions any sum deposited as part payment shall be forfeited, and all 
such lots as remain uncleared after twenty-four hours from the con- 
clusion of the sale, will be resold by either private or public sale at 
such time as The Anderson Galleries, Incorporated, shall determine, 
without further notice, and if any deficiency arises from such re- 
sale it shall be made good by the defaulter at this sale together with 
all the expenses incurred thereby. This condition shall be without 
prejudice to the right of The Anderson Galleries, Incorporated, to 
enforce the contract with the buyer, without such re-sale. 

8. Bips. We make no charge for executing orders for our cus- 
tomers and use all bids competitively, buying at the lowest price per- 
mitted by other bids. 

9. The Anderson Galleries, Incorporated, will afford every facility 
for the employment of carriers and packers by the purchasers, but 
will not be responsible for any damage arising from the acts of such 
earriers and packers. 

Priced Copy of this Catalogue may be secured for $1.50 


The Anderson Galleries 


Incorporated 
MADISON AVENUE AT ForTIETH STREET, NEw YORK. 


TELEPHONE, Murray HIt1, 7680 
SALES CONDUCTED BY MR, FREDERICK A, CHAPMAN. . 


—_ 


THE CONSIGNORS 


WILLIAM MACBETH, Firrn Avenusz, New York City. 


pene cide ee oe O10, (11,12, 13, 14, 
Pope eo. 950, 82-33, 46, 47, -52, 
Oe ee 5 76, 77, 79, 82, 85, - 86, 
96, 99, 100, 101, 102, 103, 104, 106, 107, 108, 109, 
eet 1G. 117, 116, 119, 120, 121, 123, 124, 127, 
128, 133, 134, 139, 140, 152, 154, 157, 158, 165, 177, 
193, 195, 196, 197, 199, 200, 201, 202, 203, 204, 205, 
206, 207, 208, 210, 211, 213, 217, 218, 222, 225, 237, 
238, 243, 244, 248, 268, 281, 296, 297, 298, 299, 300. 


Estate or FLORENCE B. RUTHRAUFF, New Yorx City. 


Noses ores, 26. 27. 28, 63, 78, 80, 81, 83,;. 88, 
93, 94, 95, 9%, 105, 138, 153, 167, 194, 198, 209, 
241, 245, 247, 256, 259, 260, 270, 286. 


By Orper or HENRY B. SINGER, Arrornry, New York City 


Nos. 31, 51, 62, 66, 69, 89, 90, 91, 92, 132, 155, 
156, 166, 176, 180, 181, 190, 191, 192, 257, 258, 267, 
269, 277, 278, 280, 282, 288, 289, 292, 293, 294, 295. 


* 


MRS. JOSEPH J. LITTLE, New Yorx Crry. 


Nos. 42, 43, 44, 125, 126, 159, 160, 161, 162, 223, 224, 
262, 264, 276. 


Estate or DR. R. A. WITTHAUS, New York Crry. 
Nos. 6, 110, 151, 220, 261. 


The remainder of the Paintings are from other owners. 


WILLIAM MACBETH 
450 FIFTH AVENUE NEW YORK | 


Paintings by American Artists 


February 29, 1916 


The pictures consisting of the Old Masters which are here 
catalogued as my property are part of a collection purchased 
by me in Holland in 1895. 


The forming of the collection was the life work of a well- 
known resident of The Hague, M. Muijser. 


In his old age he decided to part with his pictures, but could 
not be induced to separate them,—hence the inclusion of some 
of minor importance. A few of the pictures were sold soon 
after their arrival in New York, but the constantly increasing 
interest in American pictures, my long-time specialty, held my 
attention in that direction so steadily that I simply put the Old 
Masters aside, postponing any exhibition of them from year to 
year. 


Having decided not to store them any longer, they have now 
been placed in the hands of The Anderson Galleries for sale, 
wholly without reserve of any kind. 


The authenticity of many has been well established by com- 
petent authorities, among them Dr. Hofstede de Groot, whose 
written opinion will accompany several canvases. For several I 
have not retained the former owner’s definite attributions, merely 
leaving the “attributed” name as a basis for local critics’ investi- 
gation and decision. 


(Signed) WILLIAM MACBETH. 


ARTISTS REPRESENTED 


Aldrich, G. A........ be apt 168 
Aranda, J. Jiminez Y....... 131 
0 LS Gen peepee omer a reer 53 
CO oC le: a ane A poe eres .. 186 
(57a bin by i Re aa a me ae ater 17, 279 
’ Bartolommeo, Fra ......... 106 
Beeldemacker, A. ..... cose. 193 
SL en 6 a Seiad wry gear ra ean aa 13 
Bellini (School of) .......- 97 
Bellows, A. F. ...... iiskac sesh « 84 
Berchen, Nicolas .......... 214 
Bierstadt, Albert ..189, 273, 291 
Bischop, A. .....6...-505-> 204 
EAD Wye ec wa wieje eee 128 
Pack Olive P.3s.. aes +e 252 
Blakelock, Ralph A. ...128, 170, 
175, 263 
Blum, Otto .......-seeevees 126 
Petes fot icc nae oes 9 
Boichard, G. W. ........-... 65 
Bol, Ferdinand .........--- 269 
Borgella ......c.ceesseeece 5O 
Boston, J. H. .......-0eee- 228 
Both, Jan .......eeeeeveees 133 
Boughton, G. H. .......-.-: 158 
Breenburgh, B. ....... 102, 233 
Brennan, Alfred ........ 86, 218 
TCUCT Oe Es cts eee ens oe 21 
EST SS a ae ae 58 
Briganti, N. ...cseeeeeeees 250 
oo | Gn cere area 94. 
Brouwer, A. ....cecseeeces 60 
Brown, J. Appleton ........ 64 
TPO Wg is Gee ee ten te es 284 
Brueghel, Abraham ..... 80, 81 
Calame, Alexander ......... 118 
aliga, Tod. iw cee ce ees 127 


Canaletto, (Antonio Canale) 293 


Cares T, -. ccc eee enes 222 
Parieen, Pinily 2.2 tees 146 
Carracci (School of) ...... 98 
Chamberlain, Mason ....... 89 
Chaplin, ©. H. .....600.-0- 114 
Charlemont, Hugo ......... 226 
Claasz, Peter ....-.-eeeeees 140 
Cotes, Francis .......-..+++ 280 
Courtois, Jacques (Il 
Borgognone) ...-++erreee 216 


Crane, Bruce .......... 161, 272 
Cruz, Pantoja de la ........ 270 
Re a oe pic ate a koe wham 300 
Reh Gr Aes piace Oe ew on es 109 
ata We POWs ea 130, 182 
ty OVC Se NN oD PSS Garde mre 149 
Da Rosa, Francisco ...26, 27, 28 
MeO he OO, Ce is veces « 212 
Dearth, H. Golden ......... 145 
Me Brugada. AG ie coe a4 ss 6 
OOK a RAN ICT ise ges oe 87 
DeOGLCDDer. Bee cea pes on 165 
De Haas, Mi-Ws Ei, ce. 178, 227 
De Haven, Foo sc. 143, 164, 262 
Del Mazo, J. B. ....158, 166, 27 
Desportes, Alexander F. .... 282 
De Vos, Cornelius ......... 289 
Dielmin, Frederick ........ 142 
IPP ea ee rg ea eer fee 207 
BU at cg ee aia acate cos we 137 
Dupre, Jules i. 60... 8 ia eee 171 
MONET 7 SAT eo aia soe. 0 8! 0 Se 73 
CTRL ig oe RB EAU, (rs Oe te ta 3 
Dutch: Schools: 5. sare. o'ea's 215 
Eggleston, Benjamin ....... 22 
Wapiwiser cde oW ps cin 6 ene ax 110 
Hlsheimer, Adam .......... 105 
BPnelish School “eco i0 s gis v's 194 
MOTI LULUL ca Foe 0a eatdilenas se vratiene, ors 120 
Francken, Ambrosius ...... 231 
Franekeny: Wes oe eo 195, 208 
Flemish School ............ 9) 
SE EAD AL ian i0e oss, 3S 6 55, 162 
Goya (y Lucientes) ........ 91 
GTOAVES, Wallets oc. canst sales 121 
Greuze, J. B. .ttributed to) 23% 
Grimmer, Abe ........ Rep ey 1a 6: 
Griswold, Co Ooh kecccsa 24, 236 
Groenewegen, A. J. ........ 283 
RAMEE ed cra ileal a x boakes whp's al ace 220 
Hals, Frans (After) ....... 199 
Hamilton, Robert .......... 243 
PARR BOVRATIN FRO an 5 Gh. oes: ar iy 
ETRE OW gs Cha Ele aly nice ene eee 180 
PRCA Nyieg hich) ira gt acim ns 40 134 


ARTISTS REPRESENTED—Continued 


Herrmann ks S.cr. es 38, 56 
Hobbema, M. ..... RW Re 67, 82 
Hoehber, Arthurs. ings eae 253 
Hogarth, William .......... 138 
Homer, Winslow .........; 251 
Hondecoeter, M. D. ........ 66 
Howe W BS Geeeince steeitin EL 
Huguet Victor. i256 es. 147 
Inness, George ......... 163, 275 
Italians Primitive 22%... nass 286 
Ttallian -School:< .sac55.e 203 
Italian School (18th Century) 209 
Johnson, David. 2.1. <0 2 «=< 23 
Jordaens, Hans ........... 205 
Keith “Reva aa eee 276 
Keith> Willtams 7 cn cae 188 
KlOMpD SAR ose ce ae toe 52 
Kip Wa As ee less sae 169 
Koopman, Augustus ........ 185 
KGsGe Re Wee oats 266 
Kotschenreiter, G. H. ..... 186 
De DUC us wucceGe beset eee 213 
Lindenschmidt, W. ........ 234 
Lingelbach, John .......... 246 
Lorrain, ‘Claude isc. eae 288 
Lucientes (Francisco Goya y) 267 
Maes, Nicolasa0.f. to5 «> cae 196 
Maes, Nicholas (School of). 198 
Macrae, \Hlmer.. > 22 26 us 57 
Maanasco)» Ay oi stuete ae ee 260 
Maris, Willem ee ea 173 
Marshall, Clark S. ...18, 37, 285 
Martin, “Homer. .D.- Was ses 225 
MeCord,; -G: ii air ees 160, 249 
Moran, "Thomas: <2 acs 151;-265 
Moran, Thomas Sidney .... 224 
Mignard; .Plerre.. 2. ieee ae 277 
Millar, “Addison ¢02 3. 48 
Millet, J. F. (After) ....... 242 
Moreelse.— Po aie 76, 96, 141 
Morel, ‘Ji. Bverte ee van 239, 240 
More, Antonio? eercx ta teo. eee 156 
Mulberry, Lies see eee 19 
Munger, Gilbert ........ 112, 285 
Muritio; BAB. ove eee 70 


Nattier,. J: Mit sst23ee 155 
Naylor, Maries). > ssa 124 
Netscher, Caspar .......... 74. 
Netscher, Constant ........ 29 
Offermans, Tony J.>..5e.0en 187 
Page, -William 3.2 see 10 
Palamedes, A: i. ese eee 202 
Pedrini, Giovanni ......... 31 
Perkins, Granville ......... 225 
Peters, Rev. William ....... 181 
Poore, Henry R. ..... Spee 290 | 
Pourbus,- Frans 220 aoe eee 292 
Poussin, Nicolas ........... 258° 
Quast, Ps occ ae cena 16, 111 
Ramirez; = Juan 23 eee 245 
Ramsay, Allan <3... eae 192 
Rembrandt (School of) .139, 2382 
Reni, Guido. 23).4-anenee 45. 299 
Reynolds, Sir Joshua ...... 167 
Ribera, Josef de \i\ vn. oe en 61 
Rich, J. Rogers ..... ve aa 59 
Rivas, Au» pee. b a ee eee 35 
Robi®,: J. 2Bs seen eee %2 
Ronner, Henriette”... .sho 34 
Roos, P. P. (Rosa de Tivoli) 255 
Roseland, : Henry. va.anee 184 
Rubens, Sir P. P. ....... 68, 191 


Rubens, Sir P. P. (Attributed) 95 


Rudell, Peter HE. ........... 13 
Russell, Charles: AR oa 248 
Ruysch, Rachels 23 eeo aes 244 
Salf-Leven, Hi. nei icie eee 4 
Santyoort; DD. Doe 152 
Schut, Cornelius <...2. ee 83 
Seghers, -.D:' oa. ese 40, 117, 297 
Shee, Sir Martin 2-222. 22206 92 
Smith, F. Hopkinson ....... 274 


Smith, Henry P. ....42, 48, 125 


snyders, Frans 2.2... 90, 190 
Sontag, W. No.2) oasseeeee 20 
Spanish Primitive ......... 241 
Starr, “Sidney sii2¢ ae 7; 85, 217 
Stetson, Co We 5 eee &, 238T 
Steen, Jan: ..2% <5 nega eee 32 


Stuart, Gilbert (Attributed) 115 


, aS 


ARTISTS REPRESENTED—Concluded 


acre ees n wage ce 6 6 25 
Tegelburg, Cornelis ........ 119 
UROMUOSAL Be se enka es 14 
2h OA 2 Meee eee are 2, 107 
Teniers, D. (After) ........ 100 
EMAAR ON 656 al ne ies B's 88, 229 
Theotocopuli, D. (El Greco) 259 
Thom, J. Crawford ........ 219 
"PHOIMNDSON, .Placa's< oc se cea 49 
Wienoig, Ge Bs co eaten a as 78 
wei hs CE 5) Sg ge ee = a a 185 
PROMINAOPOR Be ww ec sk ee 62, 176 
PERBE OID ML onto a viele Mug awctiv- toes + 63 
Twachtman; J. H..... 6: 148, 172 
Ee ORs sighs sod xe ved sles 183 
Unknown ..... 1, 5a, 99, 101, 103 
200, 206 
Wee CCS. Asics 5.5.0 0.4 {er ae gb 
Van der Eckhout, G. 77, 197, 268 
Var-der Poel, BH. .....¢..6 108 
Van der Venne, A. ......... 116 
rae 9 ae Eee 247 
Wane move, © Mine a. ces 157 


Van Dyck (School of) .201, 287, 
295 


WCE Se Ls ee a a ar Al 
Var Kresten, Foo. i.e se. 271 
WE A COV SG) Spe aa el a re 47 


Wate LOO 4 Ouro es oe ares «ats a 210 
ATTEP 22) a) 4S ara Ae aa 15, 46 
Van Musscher, M. ...... 39, 154 
AMP OSLAGR AS oc v4 cee 6s 12, 104 
Van Ruysdael (Attributed) 230 
DAT ERSOUT OP cic ie ahs G aie'p 00s a's 79 
Van Slingelandt, P. C. ..... 30 
Were CONT. Oe oi occ Gace 8 281 


Velasquez (School of) ...69, 93 
Venetian School ....51, 221, 294 


(SE 8 i atc al Eo 296 
WC MOV OCI Woe ox ee ive wae e ied 179 
Vermeulen, A. F. T. ........ 54. 
Vestier, Antoine ........... 257 
NOVEGSERT. © Dei Deis a's Galvin #030 132 
UH ST TE Eh ee ee 144 
PWOLIOVODS 2 Jolie vio070 oles vle-n arg 211 
EPOUVIEN PON lake ch « ea e'e ene 44 
Wardle, “Arthur 6. Pye nc wists 36 
Washington, Georges ....... 150 
VOR UE Gece lain, c's aiglece ie « 265 
WV CEU Not DE tcc Soares: os Son ies 298 
WSS SOSO 4 eis ee eaten ss 254 


Wiggins, J. Carleton....159, 264 
WOUVeCTINANS, Poo. oe see o's (63) 
MAE hk SER es Sey e's ce wae biol s 174 
Wyant, A. of. (Attributed to) 122 
PEN Lived ge alialiarin’ snvah vliei's. ae heh 33 


LIST OF ILLUSTRATIONS 


Co aa br rr Cee POT DUE ie. eo ves whch ein oo 6-88 
REA erie) as, tala aia 'w ol vc ae 6 Cornelis Tegelberg ......... 119 
Portrait of Blizabeth Spiegel..... De DeSantvoort 2. .% aa ke ss 152 
Theologist and His Child......... CV IPLOMTOCMOLO Wee ssc «wines eee 156 
LO TE Cc) 1S aa Oe SV ALE IVC es, 6 elena te. 157 
MMI OVVCRLIELS Ga ccccc see ee ce ees isha WACULMAD: «cis sac 6% 172 
Comtesse de Maleziens............ Robert Tournierés ......... 176 
OE 8 el ele a er Peter Paul Rubens.......... 191 
pene ele PHVOUAC... 2 cee es ee [OLE A DTT Og ghee dh cena ie ees aoa 213 
Portrait of the Wife of Adrian 

OO os Sa US og | Peter Van Der Werff....... 247 
Theroigne de Mericourt.......... ATONE VESLIEN "5 Gs. caren « 257 
Lone Indian and Setting Sun..... Ralph A. Blakelock......... 263 


PITTA POUNG oo nes eel i we ee ees 


WORAUMCTHE COURS won otk we cba ws 280 


—— = UvU PVM TL “HW ‘fF AG 


UAHLIVAM HOUVIN ‘ZLT ‘ON 


ce 


ee 


A COLLECTION OF 
IMPORTANT 


PAINTINGS AND WATER COLORS 


BY OLD AND MODERN MASTERS 


FIRST SESSION 


Monday Evening, April 3rd, 1916, at 8:15 o’clock 
Lots 1 to 100 


UNKNOWN 
INTERIOR WITH FIGURES. 
(On copper). Oblong. 
Height, 21% inches; width, 3 inches. 


D. TENIERS 
Dutch, 1582-1649 
SPINNING. 
Panel. Height, 634 inches; width, 534 inches. 


C. DUSART 
Dutch, 1660-1704 


MAN DRINKING. 
Panel. Height, 7 inches; width, 5% inches. 


H. SAFT-LEVEN 
Dutch, 1609-1685 


A STUDY. 
Panel. Height, 15 inches; width, 1042 inches. 
11 


FLEMISH SCHOOL 
5 ST. ANTHONY. | 


Panel. Height, 11% inches; width, 8Y inches. 
UNKNOWN 
5a HUNTING SCENE. 
Panel. Height, 4 inches; width, 5 inches. 


A. DE BRUGADA 
Spanish 
6 THE BULL FIGHT. 
Canvas. Signed. Height, 21 inches; midth, 25 inches. 


SIDNEY STARR 
Contemporary American Painter 


7 AT THE BEACH. 
Canvas. Signed. Height, 20 inches; width, 14 inches. 


CHARLES WALTER STETSON 
American 


8 BACCHANTES ASLEEP. 
Canvas. Signed. 
Height, 1834 inches; width, 161% inches. 


ROBERT F. BLUM, A.N.A. 
American, 1857-1903 


9 HEAD OF A BOY. 
Canvas. Height, 15 inches; width, 12 inches. 
12 


WILLIAM PAGE, N.A. 
American, 1811-1885 


Pac - “YOU WON'T,” “I SHALL.” 
a Canvas. Signed. Height, 25 inches; width, 20 inches. 


WILLIAM H. HOWE, N.A. 
Contemporary American Painter 


11 :~ LION RESTING. _ 
Canvas. Signed and dated, 1895. 
ie , Height, 18 inches; width, 24 inches. 


__, A. VAN OSTADE 
| Dutch, 1610-1685 


12 THE CHANTERS. 
Oval panel. Height, 634 inches; width, 8% inches. 


CORNELIUS P. BEGA 
Dutch, 1620-1664 


18 WAFFLE MAKERS. 
Panel. Height, 12 inches; width, 9 inches. 


A. TEMPESTA 
Italian, 1555-1630 © 


14 HOLY FAMILY. 
(On copper). Height, 9 inches; width, 634 inches. 


P. VAN MOL 
Dutch, 1599-1650 


15 THE SMOKER. 
rm Panel. Signed. Height, 9 inches; width, 9 inches. 


13 


J 


16 


17 


18 


19 


20 


21 


P. QUAST 
Dutch, 1602-1647 


GROUP. 
Panel. Height, 9 inches; width, 7% inches. 
F. BAROCCI 
Italian, 1528-1612 
THE NATIVITY. 


Panel. Height, 18 inches; width, 13 inches. 


CLARK'S. MARSHALL 
Contemporary American Painter 


EARLY FALL. | 
Canvas. Signed. Height, 22 inches; width, 18 inches. 


L. MULBERRY 
Contemporary American Painter 


MARINE. 
Canvas. Signed. 
Height, 10% inches; width, 18 inches. 


WILLIAM N. SONTAG, N.A. 
American, 1822-1900 


OLD MILL. 
Canvas. Signed. Height, 10 inches; width, 12 inches. 


A. T. BRICHER, A.N.A. 
American, 1837-1908 


ROCKS ON THE COAST OF MAINE. 
Water color. Signed. 
Height, 21 inches; width, 15 inches. 
14 


2a nae op be ee 
Height, 6/4 inches; width, 8 inches. 


- . C. GRISWOLD, N.A. 
a American Painter 


= ee En fas ihe, 10 inches; width, 19 inches. 


AUGUSTUS VINCENT TACK 
Contemporary American Painter 


INTER, DEERFIELD VALLEY. 
Canvas. Signed. Height, 29 inches; width, 36 inches. 


ane? - FRANCISCO DA ROSA > 
Italian 


6 DAVID AND GOLIATH. 
Octagonal panel. Diameter, 10 inches. 


FRANCISCO DA ROSA 
Italian 


INCREDULITY OF ST. THOMAS. 
Octagonal panel. Diameter, 10 inches. 


15 


° 


a 
& 


a | ae 


LL 6 


(Pn, 
o 
oS 

~ 


28 


29 


30 


31 


32 


FRANCISCO DA ROSA 
Italian 
HERIODITAS. 


Octagonal panel. Diameter, 10 inches. 


CONSTANT NETSCHER 
Dutch, 1668-1722 
PORTRAIT OF A WOMAN. 


Oval panel. Height, 20 inches; width, 16 inches. 


P. C. VAN SLINGELANDT 
Dutch, 1640-1691 
INTERIOR WITH FIGURES. 


Panel. Height, 17 inches; width, 14% inches. 


GIOVANNI PEDRINI 
Italian School 
VIRGIN AND CHILD. 


Canvas. Height, 19 inches; width, 16 inches. 


JAN STEEN 
Dutch, 1626-1629 


INTERIOR WITH FIGURES. 
Height, 191% inches; width, 15% inches. 


Canvas. 


T. WYCK 
Dutch, 1616-1677 


THE TOWN GATE. 


Canvas. 


Height, 12 inches; width, 17 inches. 
16 


Jo- 


35 


36 


37 


38 


39 


HENRIETTE RONNER 
Dutch, 1821-1909 


THE INTERRUPTED MEAL. 
Panel. Signed. Height, 71% inches; width, 6% inches. 


A. RIVAS 
Italian 


THE SIESTA. 
Academy Board. Signed. 7 
Height, 914 inches; width, 7% inches. 


ARTHUR WARDLE 
Contemporary English Painter 


JAGUAR RESTING. 
Pastel. Signed. Height, 25 inches; width, 80 inches. 


CLARK S. MARSHALL 
Contemporary American Painter 


GOLDEN OCTOBER. 
Canvas. Signed. Height, 30 inches; nidth, 87 inches. 


F. S. HERRMANN 
Contemporary American Painter 


HOLLAND. 
Canvas. Signed. Height, 25 inches; width, 35 inches. 


M. VAN MUSSCHER 
Dutch, 1645-1705 


PORTRAIT OF A MAN. 
Canvas. Height, 201% inches; width, 17 inches. 
17 


ly oo 


ny 
feces 

% 

%, 


40 


41 


42 


43 


4A 


45 


D. ZEGHERS 
Flemish, 1590-1661 


MATER DOLOROSA. 
Canvas. Signed. Height, 30 inches; width, 22 inches. 


J. VAN HUYSUM 
Dutch, 1682-1749 


STILL LIFE—FLOWERS. 
Canvas. Height, 17% inches; width, 13 inches. 


HENRY P. SMITH 
American, 1854-1907 


THE FISHING FLEET. 
Water color. Signed and dated, 1875.. 
Height, 6% inches; width, 11 inches. 


HENRY P. SMITH 
American, 1854-1907 


MOONLIGHT, MARINE. 
Water color. Signed and dated, 1875. 
Height, 6% inches; width, 11 inches. 


JAN VROLYK 
Dutch 


DUTCH LANDSCAPE. 
Water color. Signed and dated, 1881. 
Height, 20 inches; width, 13 tnches. 


GUIDO RENI (After) 
Italian, 1575-1642 


ST. SEBASTIAN. | 
Canvas. Height, 38 inches; width, 27 inches. 
18 


_P. VAN MOL 
Dutch, 1599-1650 


Height, 9 ‘inches; width, 9% inches. 


_ P. VAN LAAR 
= Dutch, --1582- 1642 


” Height, 16Y% 5 eee width, 19% inches. 


ADDISON T. MILLAR 
_- American, 1868-1913 


a - Academy Board. Signed: ; 
A . SD se Se Height, 14 inches; width, 10 inches. 


H. THOMPSON 
English 


BORGELLA 
Spanish 


60 HEAD OF A GIRL. 
Canvas. Height, 18% inches; width, 1214 inches. 


Venetian School of 
GIOVANNI BATTISTA TIEPOLO 


51 RELIGIOUS SUBJECT. 
Canvas. - Height, 32 inches; width, 26 inches. 


19° 


Lo 


sa a & f 
, ef — jeer 
ff ; 

2 f 


52 


53 


54 


55 


56 


57 


A. KLOMP 
Dutch, 1618-1688 


LANDSCAPE WITH CATTLE. 
Signed and dated, 1680. 
Height, 16 inches; width, 18 inches. 


Canvas. 


D. A. C. ARTZ 
Dutch, 1837-1890 


DUCKS. 
Canvas. Height, 1534 inches; width, 1934 inches. 
A. F. T. VERMEULEN 
German 
THE VEGETABLE MARKET. 


Panel. Signed. Height, 23 inches; width, 20 inches. 


EDWARD GAY, N.A. 
Contemporary American Painter 
THE WHEAT FIELD. 
Canvas. Signed. 


Height, 241% inches; width, 88% inches. 


F. S. HERRMANN 
Contemporary American Painter 


HOLLANDSCHE STRAND. 


Canvas. Signed. Height, 25 inches; width, 35 inches. 


ELMER L. MACRAE 
Contemporary American Painter 


LUMBER SCHOONER. 
Canvas. Signed. Height, 25 inches; width, 28 inches. 


20 


J. A. BRIELMAN 
58 FEEDING TIME. 


Canvas. Signed. 
Height, 19 inches; width, 281% inches. 


J. ROGERS RICH 
: Contemporary American Painter 
59 “AU BORD DU JHELUNE-AUTOMNE. 
Canvas. Signed and dated, 1897. 
| Height, 18 inches; width, 24 inches. 


A. BROUWER 
Dutch, 1605-1638 


60 A JOVIAL PARTY. 
Panel. Height, 16 inches; midth, 21% inches. 
so 


JOSEF DE RIBERA 
Spanish, 1588-1656 


61 THE ARCHITECT. 
Canvas. Height, 26 inches; width, 22 inches. 


\ 
ROBERT TOURNIERES 
French, 1668-1752 


62 MARQUIS DE FONTANGES AND HIS DAUGHTER. 
Canvas. Height, 50 inches; width, 40 inches. 


/ Nt ALESSANDRO TURCHI 
Venetian, 1582-1650 


63 WOMAN WITH PLUMED BONNET. 


Canvas. Height, 35 inches; width, 26% inches. 
=a Formerly owned by the Bernese family of Ostia, 
Me Italy. 


21 


64 


65 


66 


67 


68 


J. APPLETON BROWN, A.N.A. 
American, 1844-1902 


THE LONE TREE. 
- Canvas. Signed. ie 
Height, 117% inches; width, 195% inches. 


G. E. BOICHARD 
Contemporary American Painter 


GIRL IN BLUE. 
Canvas. Signed. Height, 33 inches; midth, 20 inches. 


M. D. HONDECOETER 
Dutch, 1636-1695 


POULTRY. 
Canvas. Height, 21 inches; width, 28 inches. 
M. HOBBEMA (Attributed to) 
Dutch, 1638-1709 
LANDSCAPE. 
Panel. Signed with letter “H”’. 
Height, 22 inches; width, 83 inches. 
SIR PETER PAUL RUBENS 
Flemish, 1577-1640 
and 
JAN BRUEGHEL 
Dutch, 1568-1625 
NOAH’S ARK. . 


Panel. Height, 27 inches; width, 87% inches. 
22 


69 


Agia 
tee 


OTR ow i i 


2 


roe Ae 
‘ 


~e 
4 ARI 


70 


Pashia y, a ee, ae n'y 
a bo. : 


Beate a 


71 


72 


73 


SCHOOL OF VELASQUEZ 
CONDE OLIVARES. 


Canvas. Height, 28 inches; width, 23 inches. 


B. E. MURILLO (Attributed to) 
Spanish, 1618-1682 


ST. JEROME. 
Signed and dated, 1656. 
Height, 86 inches; width, 29 inches. 


Canvas. 


A. VAN BEEST 


HAULING IN THE LINE. 
Panel. Signed. Height, 10 inches; width, 13 inches. 


JEAN BAPTISTE ROBIE 
French, 1821-1899 
STILL LIFE. 
Signed. 
Height, 12% inches; width, 18 inches. 
Purchased from Arthur Tooth & Sons. 


Canvas. 


JULIEN DUPRE 
French, 1851-1910 


LANDSCAPE AND CATTLE. 
Canvas. Signed. Height, 19 inches; width, 26 inches. 


CASPAR NETSCHER 
Dutch, 1639-1684 


PORTRAIT OF MME. DE LA VALLIERE. 
Height, 13 inches; width, 16 inches. 


23 


Canvas. 


75 
Yo 
76 
£7 
77 
4, 
78 


Og 


PETER WOUVERMAN 
Dutch, 1623-1682 


THE HALT AT THE INN. 
Panel. Height, 201% inches; width, 16 inches. 


P. MOREELSE 
Dutch, 1571-1638 


HEAD OF A WOMAN. 
Panel. Signed. Height, 28 inches; width, 23 inches. 


G. VAN DER ECKHOUT 
Dutch, 1621-1674 


ST. PIERRE. 
Canvas. Height, 25 inches; width, 19% inches. 


GIOVANNI BATTISTA TIEPOLO 
Venetian School, 1696-1770 


THE MADONNA IN GLORY. 
This picture was a design for a ceiling fresco. 
Canvas. Height, 21 inches; width, 34 inches. 


The following original opinion signed by A. Chatain 
accompanies this picture: 


“This sketch possesses evidence of being an original 
in design and conception, and in brush work, compo- 
sition and style is forcibly in the manner of Giovanni 
Battista Tiepolo. However in tonality, color selectioa, 
color harmony, and types of figures, are missing char- 
acteristics compared with other authentic pictures by 
G. B. Tiepolo. On account of these missing points I 
do not guarantee this picture, but in my opinion there 
is sufficient evidence to acxnowledge it as an original 
by G. B. Tiepolo.” 


P. VAN SOAR 
Dutch, 1582-1642 


79 THE CITY GATE. 


Canvas. Height, 30 inches; width, 89% inches. 
24 


ABRAHAM BRUEGHEL 
Dutch, 1672-1720 

80 STILL LIFE—FRUIT. 

Academy Board. 


Height, 13 inches; width, 16 inches. 


: An original statement on the back of a photograph, 
hee. 4 signed by C. Hofstede de Groot, attributing this work 
se o7- to Abraham Brueghel, accompanies the picture. 


ABRAHAM BRUEGHEL 
Dutch, 1672-1720 


81 STILL LIFE—FRUIT. 
Academy Board. 


Height, 13% inches; width 17 inches. 


An original statement on the back of a photograph, 
at signed by ©. Hofstede de Groot, attributing this work 
to Abraham Brueghel, accompanies the picture. 


M. HOBBEMA (Attributed to) 
Dutch, 1638-1709 


82 LANDSCAPE. 


y, Panel. Signed. 
Jt Height, 131% inches; width, 17% inches. 


CORNELIUS SCHUT 
Flemish, 1597-1655 


838 ABDUCTION OF EUROPA. 


Europa in this picture is apparently a portrait of the 

first wife of Rubens,—Helen Fourment. She is repre- 

; sented as seating herself on the back of a bull, aided 
ea by her attendants. 

Canvas. Height, 44 inches; width, 58% inches. 

An original statement, signed by C. Hofstede de 


Groot .on the back of a photograph, attributing this 
work to Cornelius Schut, accompanies the picture. 


25 


Reewsnet? 
* 


(em, 
test 


Fae) 


on 
» 


84 


85 


86 


87 


i ay ¢ Vv 


88 


A. F. BELLOWS, N.A. 
' American, 1829-1883 


CHRISTMAS BOUGHS. 
Canvas. Signed. Height, 17 inches; width, 28 inches. . 


SIDNEY STARR 
Contemporary American Painter 


THE SMITHY. 
Canvas. Signed and dated, 1902. = 
Height, 30 inches; width, sa inches. 


ALFRED BRENNAN 
Contemporary American Painter 


DEATH OF MERLIN. 
Canvas. Signed. Height, 32 inches; width, 22 inches. 


XAVIER DE COCK 


Belgian 
NOONING. 
Panel. Signed and dated, 1857. 
Height, 18 inches; width, 25 inches. 
G. TERBURG 
Dutch, 1613-1681 
PORTRAIT OF A LADY. 


Three-quarter length of a beautiful solder hated girl, 
black dress with deep lace collar, ruffles at elbow sleeves; 
close fitting lace cap; jeweled brooch at corsage, brace- 
lets on wrists, rings on thumb of right hand, and third 
finger of left hand. Canvas. Signed and dated, 1666. 
Height, 43 inches; width, 85 inches.. 
(See Illustration) 


26 


No. && ‘PORTRAIT OF ACLADY 
By G. Terburg 


89 


Wa 
90 
Joo” 
91 
{7 
92 
93 
94 


MASON CHAMBERLAIN, R.A. 
English, Died in 1787 


MR. AND MRS. HOPKINS. 


Canvas. Height, 40 inches; width, 50 inches. 
Formerly in the collection of Mrs. Henshaw Russell, 
London. 


FRANS SNYDERS 
Belgian, 1579-1637 


STILL LIFE AND FIGURE. 
Canvas. Height, 87 inches; width, 54 inches. 


FRANCESCO GOYA Y LUCIENTES 
Spanish, 1746-1828 


THE BEGGAR. 
Canvas. Height, 45 inches; width, 82 inches. 


SIR MARTIN A. SHEE, P.R.A. 
English, 1769-1850 


COUNTESS OF DONOUGHMORE. 
Canvas. Height, 65 inches; nidth, 30 inches. 


SCHOOL OF VELASQUEZ 


BACCHUS. 
Canvas. Height, 34% inches; width, 28% inches. 


PAUL BRIL 
Flemish, 1554-1626 


FLIGHT INTO EGYPT. 
Canvas. Height, 32 inches; width, 51 inches. 


28 


po 


| 


PETER PAUL RUBENS (Attriutbed to) 
Flemish, 1577-1640 


95 BATTLE OF THE AMAZONS. 


The battle is the classic one wherein King Theseus and 
Queen Thalestris commanding the Amazons meet on 
the bridge of Thermodon. Theseus, mounted on a 
plunging horse, closely attended by his followers, is 
about to cast his javelin at the Amazons, who are turn- 
ing in flight at the other end of the bridge. Many have 
fallen from the bridge or are struggling in the water 
below. 


Canvas. Height, 24 inches; width, 55 inches. 


This picture is believed to have been painted about 
1619, and is the preliminary sketch for the painting 
now in -the Munich Gallery. The latter has been 
changed both in perspective of the bridge and in many 
of the figure arrangements, as well as in the shape 
and size of the canvas. It was the opinion of the late 
Henry Mosler that this sketch was more spirited in 
action and more spontaneous in expression, and gave 
a much better idea of the force and movement of the 
battle than the completed picture. 


P. MOREELSE 
Dutch, 1571-1638 


96 THE NUN 


Panel. Inscription, “#E tatis 23, Anno. 1628.” 
Height, 251% inches; width, 21 inches. 


SCHOOL OF BELLINI 


97 MADONNA AND CHILD. 


Panel. Height, 24 inches; width, 20 inches. 


SCHOOL OF CARRACCI 


98 BIRTH OF CUPID. 
The winged Cupid, at the left, is brought up from the 
sea in a net, which his mother, Venus, removes. At the 
left is Cupid’s father Mars, his hand on his sword, and 
in the center, looking at the child, is the bearded Vulcan. 


y eo Canvas. Height, 47% inches; width, 67 inches. 
UNKNOWN 
99 PORTRAIT OF A MAN. 
j — Canvas. Height, 22% inches; width, 20 inches. 
) & ai 
D. TENIERS (After) 
Dutch, 1582-1649 
: 100 FETE CHAMPETRE. 
UL 6- Canvas. Height, 51 inches; width, 82 inches. 


_ SECOND SESSION 
day Evening, April 4th, 1916, at 8:15 o'clock 
‘ | Lots 101 to 200 4 

OE UNKNOWN 


ATURE. PORTRAIT OF A MAN. 
ras oS copper). Height, 6 inches; width, 41% inches. 


< = _ B, BREENBURGH 
= beats 1600-1663 


oc: ores). ae 6 inches; width, 734 inches. 


UNKNOWN 
08 “HEAD OF CHRIST. 
‘Panel. Height, 4 inches; width, 8% inches. 


A. VAN OSTADE 
Dutch, 1610-1685 


HEAD OF A MAN. 
Panel. Height, 414 inches; width, 8% inches. 


ADAM ELSHEIMER 
German, 1578-1620 


108 ST. ANTHONY. 
Panel. Height, 9 inches; width, 7 inches. 


31 


2 ee 


106 


107 


108 


109 


110 


FRA BARTOLOMMEO 
Italian, 1475-1517 


ASSUMPTION OF THE VIRGIN. 
Panel. Height, 11% inches; width, 7 inches. 


D. TENIERS (Attributed to) 
Dutch, 1582-1649 


VILLAGE SCENE. 
Panel. Signed with monogram, “D. T.” 
Height, 14 inches; width, 16 inches. 


E. VAN DER POEL 
Dutch, 1621-1664 


THE CONFLAGRATION. 
Panel. Signed. . 
Height, 15 inches; width, 121% inches. 


J. G. CUYP 
Dutch, 1575-1650 


HEAD OF A MONK. 
Oval canvas. Height, 31 inches; width, 24% tnches. 


J. W. EHNINGER, N.A. 
American, 1827-1889 


THE TRUMPETER. 
Canvas. Signed. Height, 10 inches; width, 8 inches. 


32 


P. QUAST 
Dutch, 1602-1647 


111 GROUP OF FIGURES. | 

_ Representing nine people, among them a man reading 
from a paper. ; 

Panel. Height, 9 inches; width, 7% inches. 


An original statement, signed by C. Hofstede de 
Groot establishing the authenticity of this work, ac- 
companies the picture. . 


c 


GILBERT MUNGER 

2 American 

112 ~THE CLIFFS. 

Canvas. Signed. Height, 12 inches; width, 20 inches. 


PETER E. RUDELL 
American 
118 FROSTY MORNING. 
Canvas. Signed and dated, 1898. 
| Height, 17 inches; width, 22 inches. 


CHARLES H. CHAPLIN 
Contemporary French Painter 
114 LASSITUDE. 
j Canvas. Signed. Height, 22 inches; midth, 18 inches. 


GILBERT STUART (Attributed to) 
American, 1755-1828 
115 PRESIDENT MADISON. 
Canvas. Height, 29 inches; width, 23 inches. 
From the Estate of General Sinclair, Philadelphia. 


a 83 


A. VAN DER VENNE 
Dutch, 1589-1662 


116 THE GAMBLING HOUSE. 


Panel. Height, 16 inches; width, 1114 inches. 
ee 
D. ZEGHERS 
Flemish, 1590-1661 
117 ST. JEROME. 
Panel. Oval, surounded by flowers. 
} fn y Height, 25 inches; width, 18 inches. 
iy - 
ALEXANDER CALAME 
Swiss, 1810-1864 
118 IN THE WOODS. 
Panel. Height, 26 inches; width, 21 inches. 
*Purchased from Obach & Co., London. 
387 
CORNELIS TEGELBERG 
Dutch, 17th Century 
119 LANDSCAPE. 
Panel. Initials, ‘“C. T. B.” 
Height, 261% inches; width, 35% inches. 
wy An original statement on the back of a photograph, 
je- signed by C. Hofstede de Groot that this is most prob- 
ably the work of Cornelis Tegelberg, accompanies the 
picture. 
(See Illustration) 
B. FABRITIUS 
Dutch, 1620-1669 
120 STILL LIFE. 
woe Panel. Height, 23 inches; width, 17 inches. 
lt 


34 


> 
aa) 


S1Iq[vs0 [, STIULO/) 


GdVOSANVTI ‘6IT ON 


/jo- 


/6- 


121 


122 


123 


124 


125 


WALTER GREAVES 
American 


PORTRAIT OF WHISTLER. 
Canvas. Signed and dated, 1870. 
H eight, 25 inches; width, 19 inches. 


A. H. WYANT, N.A. (Attributed to) 
American, 1836-1892 


TREES. 
Canvas. Height, 10 inches; width, 5% inches. 
RALPH A. BLAKELOCK 
American, 1847- 
A ROSE. 
Canvas. Signed. Height, 15 inches; width, 15 inches. 
MARIE NAYLOR 
Contemporary English Painter 
LITTLE FLOWER GIRL. 


Canvas. Signed. 
Height, 1734 inches; width, 12 inches. 


HENRY P. SMITH 
American, 1854-1907 


A SUMMER DAY. 
Water color. Signed. 
Height, 8 inches; width, 6 inches, 
36 


a OTTO BLUM 
ne : _ Contemporary American Painter 

126° VENICE. | 

at: Water color. Signed. 

Height, 14 inches; width, 26 inches. 


Se aes 6 CALIGA 
Contemporary American Painter 


: 1G PRELUDE. 
| Metal: panel. Height, 18Y% inches; width, 11yY, inches. 


__ WILLIAM J. BIXBY 
_ Contemporary American Painter 


hme 


oe 


Sea Signed. “Height, 86 inches; width, 60 inches. 


CLARK S. MARSHALL 
Lek Contemporary American Painter 
129: AUTUMN. | 
4 Canvas. Signed. Height, 22 inches; width, 18 inches 


W. P. W. DANA, N.A. 
pe > | American 
180 SEASHORE AT NICE. 
‘Ae Canvas. Signed and dated “Nice, 1874.” 
Height, 161% inches; width, 30 inches. 


JOSE JIMINEZ Y ARANDA 
Spanish 


131 THE CAPTIVE. 


Canvas. Signed. 
Height, 22 inches; width, 16% inches 


37 


(o- 


132 


133 


134 


135 


136 


137 


JULES JACQUES VEYRASSAT 
French, 1825- 


RETURN FROM THE FIELDS. 


Panel. Signed. Height, 12 inches; width, 22 inches. 


JAN BOTH 
Dutch, 1610-1650 


LANDSCAPE. 
Panel. Initials “J. B.” 


Height, 33 inches; nidth, 28 inches. 


W. C. HEDA 
Dutch, 1594-1680 


STILL LIFE. 


Panel. Signed. Height, 20% inches; width, 33 inches. 


E. TOFANO 
Italian 


EASTER MORNING. 


Pastel. Signed. Height, 25 inches; width, 17 inches. 


A. AUBLET 
French 


GATHERING FLOWERS. 
Canvas. Signed and dated, 1899. 


Height, 24 inches; width, 16% inches. 


A. DUPRAT 
Contemporary French Painter 


VENICE. 


Canvas. Signed. Height, 24 inches; width, 18 inches. 


38 


i fone 
it ae eal 


- WILLIAM HOGARTH 
English, 1697-1764 


ae. 188 SIR JAMES THORNHILL PAINTING A PORTRAIT 
eee | OF HIS: DAUGHTER. 

- This painting is a variation of the picture described in 
Trussler’s “Life of Hogarth.” It represents Sir James 
Thornhill painting a portrait in his studio. The walls 
are hung with paintings; there are many bronzes and 
pieces of statuary and a bust of Homer is on the floor. 
Hogarth himself is seen at the left pease from a 
model. 


Canvas. ~ Height, 261% inches; width, oe inches. 


SCHOOL OF REMBRANDT 


139 BUTCHER’S SHOP. 
Panel. Height, 26 inches; width, 19 inches. 


PETER CLAASZ 
Dutch, 1595-1661 
140 STILL LIFE. 


Representing a massed arrangement, consisting of a 
violin, skull, folio of music, jewelry and other items 
on a table, which occupy nearly the entire canvas. 
Panel. Signed with monogram “P. C.” 

Height, 171% inches; width, 212 inches. 


An original statement on the back of a photograph, 
signed by C. Hofstede de Groot, establishing the au- 
thenticity of this work, accompanies the picture. 


P. MOREELSE 
Dutch, 1571-1638 


141 PORTRAIT OF MLLE. PHILLIPPE LE CLERC. 
Canvas. Inscription, “Aged 16, dated 1590.” 
Height, 38% inches; width, 27 inches. 
39 


142 


143 


144 


145 


146 


FREDERICK DIELMAN, N.A. 
Contemporary American Painter 
WINDING THE SKEIN. 
Canvas. Signed and dated, 1891. 
Height, 24 inches; width, 18 inches. 


F. DE HAVEN 
Contemporary American Painter 
THE HAY WAGON. 
Canvas. Signed and dated, 1893. 
Height, 24% inches; width, 18% inches. 


F. VINEA 
Italian, 1846- 
REMINISCENCES. 
Canvas. Signed and dated, 1892. 
Height, 22 inches; width, 16 inches. 


H. GOLDEN DEARTH, N.A. 
Contemporary American Painter 
EVENTIDE. 
Canvas. Signed. Height, 19 inches; width, 29 inches. 


EMIL CARLSEN, N.A. 
Contemporary American Painter 


STILL LIFE. 
Canvas. Signed and dated, 1894. 
Height, 38 inches; width, 27 inches. 


40 


VICTOR HUGUET 
French, 1835-1902 


147 THE WATERING PLACE. 
a Panel. Signed. 
a Y Height, 14 inches; width, 171% inches. 


J. H. TWACHTMAN 

; American, 1853-1902 

148 SPRINGTIME. a 
This sketch shows the side of a woodland and in the 
foreground a pond, with ducks. It is painted in tender 
and delicate tones. Canvas. Signed. 


Height, 814 inches; width, 11% inches. 


E. DAMOYE 
French School 


149 MUSSEL GATHERERS. 
Canvas. Signed and dated, 1883. 


ia Height, 18 inches; width, $4 inches. 
ka GEORGES WASHINGTON 

i 4 French, 1827-1903 

i. 150 ARABS ON THE MARCH. 

t a Canvas. Signed. 

e- Height, 26 inches; width, 341% inches. 
pe THOMAS MORAN 

BS Contemporary American Painter 

me 151 VENICE. 

.. Water color. Signed and dated, 1894. 

iz. / Rs Height, 18 inches; width, 28 inches. 
‘e ye 41 


SIN Wes 


jv 


152 


D. D. SANTVOORT 
Dutch, 1610-1680 


PORTRAIT OF ELIZABETH SPIEGEL. 


Three-quarter length figure of a young girl in golden- 
brown low dress edged with white, holding a flute with 
both hands; strings of pearls around neck and left 
wrist; feather head dress with long streamer that curls 
around her left arm at the elbow. 

Panel. Height, 2414 inches; width, 19% inches. 


An original statement on the back of a photograph, 
signed by C. Hofstede de Groot, establishing the au- 
thenticity of this work, accompanies the picture. 


(See Illustration) 


JUAN BAUTISTA DEL MAZO 
Spanish, 1610-1687 


153 PORTRAIT OF DON MIGUEL DE BURGUETE. 


Canvas. Height, 40 inches; width, 3434 inches. 


M. VAN MUSSCHER 
Dutch, 1645-1705 


154 PORTRAIT OF A LADY. 


Three-quarter figure of an elderly lady, seated in chair 
near a balcony, black dress with white handkerchief 
around neck; black curtain background with view of 
gardens in distance at right. 

Canvas. Height, 19% inches; width, 1534 cabher 


An original statement on the back of a photograph, 
signed by C. Hofstede de Groot, establishing the au- 
thenticity of this work, accompanies the picture. ‘ 


JEAN MARC NATTIER 
French, 1685-1766 


155 MADEMOISELLE DE MARSOLLIER. 


Canvas. Height, 24 inches; width, 19% inches. 
42 


PORTRAIT 
By D. 


OF 
1). 


ELIZABETH SPIEGEL 


Santvoort 


ANTONIO MORO 
Dutch, 1512-1577 


156 THEOLOGIST AND HIS CHILD. 
Canvas. Height, 18 inches; width, 22 inches. 
(See Illustration) 


PHILIP VAN DYCK 
Dutch, 1683-1753 


157 THE MUSICALE. 

Lady in green dress holding a sheet of music in her 
left hand is seated at a piano, while a gentleman in 
red coat playing a violin stands at her side; on the ~ 
left, male figure carrying away a dish of fruit; dog in 
the foreground, and parrot perched on ’cello at right. 
Panel. Signed and dated, 1744. 

Height, 20 inches; width, 16 inches. 


(See Illustration) 


An original statement on the back of a photograph, 
signed by C. Hofstede de Groot, establishing the au- 
thenticity of this work, accompanies the picture. 


GEORGE H. BOUGHTON, N.A., R.A 
British-American, 1834-1905 


158 BURIAL OF SIR JOHN MOORE. 
Canvas. Signed with initials, “G. H. B.” : 
Height, 89% inches; width, 25 inches. 


J. CARLETON WIGGINS, N.A. 
Contemporary American Painter 


159 PEASANT WITH COWS. 


Canvas. Signed. 
Height, 8% inches; width, 11 inches. 


44 


— 


No. 156. THEOLOGIST AND HIS DAUGHTER 
By Antonio Moro 


jor 


160 


161 


162 


163 


164 


165 


GEORGE H. McCORD, A.N.A. 
American, 1848-1909 


MILL ON NANTUCKET MOOR. 
Canvas. Signed. Height, 14 inches; midth, 18 inches. 


BRUCE CRANE, N.A. 
Contemporary American Painter 


LATE SUMMER. 
Canvas. Signed. Height, 20 inches; width, 80 inches. 


EDWARD GAY, N.A. 
Contemporary American Painter 
THE WAVING GRAIN. 
Canvas. Signed and dated, 1884. 
Height, 26 inches; width, 44 inches. 


GEORGE INNESS, N.A. 
American, 1825-1894 


SUNSET. 
Panel. Signed. Height, 10 inches; midth, 14 inches. 


F. DE HAVEN 
Contemporary American Painter 


AN OCTOBER DAY. 
Canvas. Signed and dated, 1888. 
Height, 14 inches; width, 20 inches. 


P. DE GREBBER 
Dutch, 1600-1666 


ST. FRANCIS. 
Canvas. Signed with initials, “P. D. G.” 
Height, 2544 inches; width, 20 inches. 
46 


THE MUSICALE 
By Philip Van Dyck 


No. 157. 


* a 


JUAN B. DEL MAZO MARTINEZ 
Spanish, 1610-1687 


166 INFANTA OF SPAIN. 


Canvas. Height, 27 inches; width, 23 inches. 


SIR JOSHUA REYNOLDS, P.R.A. 
English, 1723-1792 


167 PORTRAIT OF HIMSELF. 
Half-length figure of the artist in dark red cloak, white 
stock and three-cornered hat. 
Canvas. Height, 30 inches; width, 25 inches. 


o This picture was in the possession of Benjamin 

op hay Haydon, the great historical painter, at the time of 
his death, and was brought to this country by one of 
his pupils. 


G. A. ALDRICH 
Contemporary American Painter 
168 SCENE IN NORMANDY. ; 
Canvas. Signed. Height, 24 inches; width, 30 inches. 


J 4 W. A. KNIP 
Contemporary Dutch Painter 
169 LANDSCAPE WITH SHEEP. 
Canvas. Signed. 
Height, 2844 inches; width, 832% inches. 
JO7 
RALPH A. BLAKELOCK 
American, 1847 
170 SUNSET LANDSCAPE. 
A lonesome summer twilight is depicted. Two large 
trees, painted in Blakelock’s typical manner, are at 
the right, with two Indian wigwams beneath them, 
Sop while at the extreme left, farther away, are two other 
Af ff A trees. The sky is greenish-gold, verging to a rich 
brown toward the zenith. | 
Canvas. Signed. Height, 9 inches; width, 12 inches. 


48 


JULES DUPRE 
French, 1812-1889 
171 MARINE. 
: The subject of the picture is a rolling, choppy sea, such 
as Dupré loved to paint. In the middle distance is a 
brownish boat and farther away other sails, helping 
to give distance to the horizon, and clouds which lie 
rr, ed _ in banked formation above the horizon. The rich blue 
tones of the sea, relieved by the white spray, give beauty 
to the composition. Canvas. Signed. 


Height, 2134 inches; width 24 inches. 


J. H. TWACHTMAN 
American, 1853-1902 


172. MARCH WEATHER. 

An atmospheric masterpiece by the “first American 
Impressionist.” The wetness and the sogginess of the 
fields, just at the breaking up of winter, with patches 
of snow still lingering, are inimitably presented; an 
abandoned field has here and there a stunted cedar. 
In the distance is a bit of Long Island Sound, while 
farther away are the foothills of the opposite shore. 
Over all is a great, cold March sky, of purplish blue 

r / a= with white clouds. The whole subject is presented in 
a bluish haze, typical of a March thaw. 
Canvas. Signed. Height, 30 inches; width, 40 inches. 


(See Frontispiece) 


WILLEM MARIS 
Dutch, 1844-1910 
173 ENVIRONS OF A VILLAGE. 
A group of Dutch houses beyond which is a river and 
in the distance foothills. Two young women are seated 
on the grass at the left of the foreground, near a patch 
which leads to a rustic gate. Water color. Signed. 
Tie Height, 111% inches; width, 17 inches. 


49 


A. H. WYANT, N.A. 
American, 1836-1892 


174 WATKINS GLEN, ADIRONDACKS. | 

This typical example of the artist’s earlier manner, be- 
fore his art passed from analysis to synthesis, was 
painted in 1861, when Wyant was 23 years old. Mi- 
nutely painted, it reproduces faithfully the cool, clear 
shadows and the limpidity of a trout stream overhung 
with rocks and trees. The pearl-grey tones of the 
rocks are typical of Wyant. The burst of sunshine on 
the trout stream in the distance furnishes a centre for 
the composition. 3 

Canvas. Signed and dated, 1860. 


Height, 16 inches; width, 20 inches. 


RALPH A. BLAKELOCK 
American, 1847- 


175 INDIAN BURIAL. 


This picture is a beautiful golden brown example of 
the artist’s last and broadest manner. The landscape 
is seen in a warm summer twilight, and the deep golden 
and brown sky throws its rich glow over the mountain- 
side, covered with vines and brambles, and helps to 
give a romantic and spiritual charm to the weird Indian 
ceremony depicted. In a tree at the right, standing 
apparently on the side of a declivity, is a rude Indian 
coffin; at the foot of the tree are three Indians, while 
at the left, silhouetted against the dying sky another 
Indian stands with arm upraised, while further to the 
left is still another. 
Canvas. Signed. Height, 18 inches; width, 22 inches. 
Presented by the Artist to nis friend, William Rogers. 


~ 
ROBERT TOURNIERES 
French, 1668-1752 


176 COMTESSE DE MALEZIENS. 


Canvas. Height, 32 inches; width, 26 Eos OS 
(See Illustration) 


50 


No. 176. COMTESSE DE MALEZIENS 
By Robert Tournierés 


i 


A. HANNEMANN 
Dutch, 1601-1669 


177 PORTRAIT OF A LADY. 


178 


179 


180 


Half-length figure of a young lady, en decollette, gold 
embroidered dress, purple mantle trimmed with fur, 
earrings and necklace of pearls; dark hair. 


Canvas. Height, 271% inches; width, 22 inches. 


An original statement, signed by C. Hofstede de 
Groot, establishing the authenticity of this work, ac- — 
companies the picture. 


M. F. DE HAAS, N.A. 
Dutch-American, 1832-1895 


THE COMING STORM—ENGLISH CHANNEL. 
Canvas. Signed and dated, 1865. 
Height, 38 inches; width, 60 inches. 


F. VERHEYDEN 
Belgian, 1806- 


THE SCHOOL FESTIVAL. 
Canvas. Signed and dated, 1861. 
Height, 35 inches; width, 44 inches. 


GEORGE HENRY HARLOW 
English, 1787-1821 


TWO GIRLS PLAYING THE HARP. 
Canvas. Height, 49 inches; width, 86 inches. 


REV. WILLIAM PETERS 
English, 1740-1814 


COUNTESS OF OXFORD. 
Canvas. Height, 55 inches; width, 44 inches. 
52 


182 


185 


186 
LiG— 


187 


Gta 


W. P. W. DANA, N.A. 
American, 1833 


GATHERING SEAWEED—NORMANDY. 
Canvas. Signed. Height, 15 inches; width, 30 inches. 


J. G. TYLER 
Contemporary American Painter 


A WINTER PASSAGE. 
Signed and dated, 1903. 
Height, 30 inches; width, 38 inches. 


Canvas. 


HENRY ROSELAND 
Contemporary American Painter 
AN INTERESTING BOOK. 
Canvas. Signed and dated, 1864. 
Height, 20 inches; width, 14 inches. 


AUGUSTUS KOOPMAN 
Contemporary American Painter 
BY THE RIVER. 
Canvas. Signed. Height, 25 inches; width, 20 inches. 


G. H. KOTSCHENREITER 
German 


SOCIAL CHAT. 
Signed and dated, 1902. 
Height, 9 inches; midth, 12 inches. 


Canvas. 


TONY OFFERMANS 
Dutch, 1845-1911 


DUTCH INTERIOR. 
Canvas. Signed. Height, 20 inches; width, 24 inches. 


53 


3/07 


188 


190 


191 


192 


193 


WILLIAM KEITH 
American, 1839-1911 


IN THE WOODS. 
Canvas. Signed. Height, 36 inches; width, 60 inches. 


ALBERT BIERSTADT, N.A. 
American, 1830-1902 


WESTPHALIA. 
Canvas. Signed. = 
Height, 3144 inches; width, 46 inches. 


FRANS SNYDERS 
Belgian, 1579-1657 


THE HUNTER. 
Canvas. Height, 46 inches; width, 80% inches. 


SIR PETER PAUL RUBENS 
Flemish, 1577-1640 
SALOME. X 
Canvas. Height, 50 inches; width, 46 inches. 
(See Illustration) 


ALLAN RAMSAY 
English, 1713-1784 


PORTRAIT OF JENNIE CAMERON. | 
Canvas. Height, 50 inches; width, 40 inches.. 


A. BEELDEMAKER 
Dutch, 1630-1680 


HUNTING SCENE. 
Representing a hunter in a red costume, surrounded by 
dogs. Canvas. Signed. 


Height, 29 inches; nidth, 39 inches. - 


An original statement, signed by C. Hofstede de 
Groot, establishing the authenticity of this work, ac 
companies the picture. 


54 


No. 191. SALOME 
By Peter Paul Rubens 


ox 
Boiray 
% 


194 


195 


196 


197 


198 


199 


200 


ENGLISH SCHOOL 
PORTRAIT OF A MAN. 
Canvas. Height, 31 inches; width, 2634 inches. 


F. FRANCKEN 
Flemish, 1540-1616 


FEAST OF BELSHAZZAR. | 
Panel. Height, 294 inches; width, 42 inches. 


NICOLAS MAES 
Dutch, 1631-1693 


PORTRAIT OF A LADY. 
Panel. Height, 18% inches; width, 14% inches. 


G. VAN DER ECKHOUT 
Dutch, 1621-1674 


ST. ANTOINE. 
Panel. Signed. 
Height, 25% inches; width, 1734 inches. 


SCHOOL OF MAES 


PORTRAIT OF A WOMAN. 
Canvas. Height, 44% inches; width, 36 inches. 


FRANS HALS (After) 
Dutch, 1584-1666 


PORTRAIT OF A MAN. 


Canvas. Height, 48 inches; midth, 86% inches. 
UNKNOWN 
PORTRAIT OF A WOMAN. 
Oval canvas. Height, 21 inches; midth, 17 inches. 


56 


THIRD SESSION 


_ Wednesday Evening, April 5th, 1916, at 8:15 o’clock 


201 


202 


203 


204 


205 


Lots 201 to 300 


SCHOOL OF VANDYCK 


ST. FRANCIS OF ASSISIS. 
(On copper). Height, 6% inches; width, 5% inches. 


A. PALAMEDES 
Dutch, 1601-1673 


OLIVER CROMWELL. 
Panel. Height, 18 inches; width, 9¥2 inches. 


ITALIAN SCHOOL 
THE HOLY FAMILY. 


Canvas. Height, 9% inches; width, 12% inches. 
A. BISCHOP 
Dutch, 1630-1674 
PHEASANT. 
Canvas. Height, 84% inches; width, 6% inches. 


HANS JORDAENS 
Flemish, 1595-1643 


THE CRUCIFIXION. 
(On copper). Height, 71% inches; width, 10 inches. 
57 


\ 


206 


207 


208 


209 


210 


211 


UNKNOWN 
MINIATURE PORTRAIT OF VAN DYCK. 
Panel. Height, 434 inches; width, 334 inches. 


K. DU JARDIN 
Dutch, 1625-1678 


ST. ANTOINE. : 
(On copper). Height, 6Y%4 inches; width, 5% inches. 


F. FRANCKEN 
Flemish, 1540-1616 


THE ANNUNCIATION. | | 
(On copper.) Height, 12 inches; width, 9 inches. 


EIGHTEENTH CENTURY ITALIAN 


THE NATIVITY. 
Panel. Height, 11 inches; width, 8% inches. 


C. A. VAN LOO 
French, 1705-1765 


NUDE FIGURE OF A WOMAN. 
Canvas. Height, 20 inches; width, 1712 wches. 


JOHANNES VOLLEVENS 
Dutch, 1649-1758 


WILLIAM, PRINCE OF ORANGE. 
(On copper). Height, 15 inches; width, 11% inches. 


58 


bond oe] Ad 


OVNOAIA NO SHUMIGTIOS ‘El@ ON 


212 


213 


214 


215 


216 


217 


F, O. C. DARLEY, N.A. 
American, 1822-1888 


PORTRAIT OF JUDGE QUINN. 


Canvas. Height, 30 inches; width, 25 inches. 


LE DUCQ 
Dutch, 1636-1695 


SOLDIERS ON BIVOUAC. 


Panel. Height, 143% inches; width, 19 inches. 


(See Illustration). 


NICOLAS BERCHEM 
Dutch, 1620-1683 


LANDSCAPE. 


Canvas. — Height, 1834 inches; width, 21% inches. 


DUTCH SCHOOL 
SKATING—HOLLAND. 


Panel. Height, 1434 inches; width, 23% inches. 


JACQUES COURTOIS (il Borgognone) 
French, 1621-1676 


BATTLE BETWEEN TURKS AND AUSTRIANS. © 


Canvas. Height, 31 inches; width, 46 inches. 


From the collection of the Marquis Farinola. 


SIDNEY STARR 
Contemporary American Painter 


GUNBOATS, HUDSON RIVER. 
Canvas. Signed and dated, 1905. 


Height, 14 inches; width, 20 inches. 


60 


“a 


218 


219 


220 


221 


223 


ALFRED BRENNAN 
Contemporary American Painter 


ENCHANTMENT. 
Canvas. Signed. Height, 82 inches; width, 22 inches. 


J. CRAWFORD THOM 
American, 1835-1898 


GATHERING FLOWERS. 


Canvas. Signed. 
Height, 1634 inches; width, 13% inches. 


GUERRA 
Italian 
FLIRTATION. 
Canvas. Signed. 


Height, 1644 inches; width, 1134 inches. 


VENETIAN SCHOOL 
THE CRUCIFIXION. 


Panel. Height, 121% inches; midth, 8Y% inches. 
H. CARRE 


Dutch, 1656-1721 
PORTRAIT OF A LADY. 
Canvas. Height, 85 inches; width, 27 inches. 


GRANVILLE PERKINS 
Contemporary American Painter 


THE WINDING STREAM. 
Water color. Signed and dated, 1893. 
Height, 15 inches; width, 22 inches. 
61 


224 
EE 
Ate 
225 
Vv 
“& s 4 
VV 
226 
Gv 
227 
ae Oe 
y Y 
228 
229 


THOMAS SIDNEY MORAN 
Contemporary American Painter 


SHOWERY DAY, NOVA SCOTIA. 
Academy board. Signed and dated, 1906. 
Height, 11 inches; width, 18% inches. 


ane 


‘HOMER D. MARTIN, N.A. 
American, 1836-1897 


TREES BY THE BROOK. 


Canvas. Height, 17 inches; width, 1134 inches. 
Purchased from Mrs. Homer D. Martin. 


HUGO CHARLEMONT 
French 


THE ROSE BOWER. 
Signed and dated, 1886. 
Height, 111% inches; width, 13 tnches. 


Canvas. 


M. F. H. DE HAAS 
American, 1832-1895 


MOONLIGHT ON THE RIVER. 


Panel. Height, 94 inches; width, 12 inches. 


Certification on back signed by members of artist’s 
family. 


J. H. BOSTON, A.N.A. 
Contemporary American Painter 
AFTER SUNDOWN. 
Canvas. Signed. Height, 25 inches; width, 30 inches. 


G. TERBURG 
Dutch, 1613-1681 


INTERIOR WITH FIGURES. 
Height, 25 inches; width, 21 inches. 
62 


Canvas. 


Be VAN RUYSDAEL (Attributed to) 
Dutch, about 1600-1670 


; Psnccare 
oe Canvas. Height, 24% inches; width, 291% inches. 


_AMBROSIUS FRANCKEN 


oe 1544-1618 
THE LAST SUPPER. 
Panel. ‘Height 2h VY inches; width, 18% inches 


— 


ss SCHOOL OF REMBRANDT 
282 PORTRAIT OF A RABBI. 
‘Canvas. _ Height, 1732 inches; width, 18 inches. 


~ 


B. BREENBERG 
Dutch, 1600-1663 


g 288 BACCHUS VISITING GAMBRINUS. 
Panel. | _ Height, 10% inches; width, 16 inches. 


W. LINDENSCHMIDT 
German, 1806-1848 


234 «' THE MISER. 
ies Canvas. Height, 28 inches; width, 24 inches. 


_ CLARK S. MARSHALL 
Contemporary American Painter 


235 END OF THE STREAM. 
Canvas. Signed. Height, 18 inches; width, 24 inches. 
63 


W- 


236 


237 


238 


239 


C. C. GRISWOLD, N.A. 
Contemporary American Painter 


AUTUMN. 


Canvas. Signed. Height, 10 inches; width, 19 inches. 


C. W. STETSON 
American 
TWILIGHT IN CALIFORNIA. 
Signed. Height, 24 inches; width, 16 inches. 


Canvas. 


J. B. GREUZE (Attributed to) 
French, 1725-1805 


HEAD OF A CHILD. 
Panel. Height, 17 inches; width, 18% inches. 


JAN EVERT MOREL 
Dutch, 1777-1808 


WOODED LANDSCAPE. 


This picture, typical of the Dutch school, presents a 
river, bordered on the left by a wood, through which 
runs a road, and at the right by lower ground, with a 
house and a boat. In the road a man and woman are 
conversing. Panel. Signed. 

Height, 9% inches; width, 1834 inches. 


From the collection of Prof. Theodore de Vries, 
University of Chicago. 


JAN EVERT MOREL 
Dutch, 1777-1808 


240 LANDSCAPE. 


A road runs through a bleak and rocky landscape. A 
village, with a church tower is seen in the distance at 


the left. In the road is a woman picturesquely cos- 
tumed. 
Panel. Height, 9Y% inches; width, 1234 inches. 


64 


SPANISH PRIMITIVE 


our LADY. 
~ Canvas. _ -Height, 33 inches; width, 25 inches. 


sd. F. MILLET (After) 
French, 1814-1875 


2 _ 242 SHEPHERDESS AND GEESE. 
me ‘Panel. Signed. 
ers, . ~~ Height, 13 inches; width, 94% inches. 


ROBERT HAMILTON 
Contemporary American Painter 


5 248 LANDSCAPE WITH FIGURES. 
Canvas. Mies Height, 23 inches; width, 28 inches. 


RACHEL RUYSCH 
Dutch, 1664-1750 


244 STILL LIFE—FLOWERS. 
a Canvas. | Height, 16% inches; width, 12 inches. 


JUAN RAMIREZ 
Spanish, 16th Century 


245 INTERIOR. 
Canvas. _ Height, 29 inches; width, 23 inches. 


JOHN LINGELBACH 
Dutch, 1622-1674 


246 HAYMAKING. 


Canvas. Height, 19 inches; width, 16 inches. 
From the Robert Gilmor collection, Baltimore. 
65 


7% e- signed by U. Hofstede de Groot, establishng the au- 


4 manos 
: € aS 
B po ; 
# 2% 3 

‘s 


PETER VAN DER WERFF 
Dutch, 1665-1718 


247 PORTRAIT OF THE WIFE OF ADRIAN VAN Dee 
WERFF 


Three-quarter length of a lady seated at a paca. 
brown dress with blue trimming; view of garden at 
left with figure of nude statue in distance. ; 
Canvas. Signed. 
Height, 19 A inches; width, 15 bs sider 
An original statement on the back of a photograph, 


thenticity of this work, accompanies the picture. — 
(See Illustration) 


x 


CHARLES M. RUSSELL 
Contemporary American Painter 


248 SIGHTING THE ENEMY. 
Water color. Signed and dated, 1902. —— 
Height, 20 inches; width, 29 inches. 3 


GEORGE H. McCORD, A.N.A. 
American, 1848-1909 


249 IN SUMMERTIME. 
Canvas. Signed. Height, 20 inches; width, 30 inches. 


N. BRIGANTI 
Contemporary Italian Painter 


250 VENETIAN SCENE. —- 
Canvas. Signed. Height, 20 inches; width, 80 inches. 


66 


247. PORTRAIT OF THE WIFE OF 
ADRIAN VAN DER WERFF 
By Peter Van der Werff 


WINSLOW HOMER, N.A. 
American, 1836-1910 
251 MAINE COAST. 


Painted in the broadest technique, with rocks, sky, and 
sea, this water color is a typical example of the artist’s 
style. On the rocks, her figure outlined against the 
sky and her garments blowing in the wind, is a woman, 
watching the sea. In the distance are sailboats. 


dy qv Water color. Signed. 
Height, 138% inches; width, 19 inches. 


OLIVE P. BLACK 
Contemporary American Painter 
252 SPRINGTIME. 
Canvas. Signed. Height, 16 inches; width, 24 inches. 


[4 


ARTHUR HOEBER, A.N.A. 
Contemporary American Painter 


253 RESTLESS SEA. 
Canvas. Signed. Height, 25 inches; width, 30 inches. 


JOSE WEISS 
Contemporary English Painter 


254 THE OLD BRIDGE. 
Canvas. Signed. Height, 20 inches; width, 30 inches. 


<7 
4 
i" 


No. 257. THEROIGNE DE MERICOURT 


By Antoine Vestier 


P. P. ROOS (Rosa di Tivoli) Bet 
German, 1655-1705 3 25 


255 LANDSCAPE WITH GOATS. 
Canvas. _ - Height, 14% inches; width, 20 inches. 


i Neos 


ABEL GRIMMER 
Flemish, 1575-1619 


256 THE PARABLE OF THE SOWER. 
THE PARABLE OF THE HEIR. 
Two circular panels(a pair). Signed. 


(r- Diameter, 10 inches. 
/ 197 The following written opinion signed by A. Chatain 
accompanies the above pictures: 


“I have carefully examined the above paintings, 
and I certify them to be genuine and by the master 
by whom they are signed. The tonality, color, style, 
manner, technique, and conception of form and char- 
acter, compare favorably with all the authentic works 
of Abel Grimmer. The above opinion does not refer 
to the signature as this signature cannot be compared 
with Grimmer’s usual signature.” 


ANTOINE VESTIER 
French, 1740-1824 


257 THEROIGNE DE MERICOURT. 
Canvas. Height, 28 inches; width, 28 inches. 
(See Illustration) 


)o- 


eas 


70 


NICOLAS POUSSIN 
French School: Born, 1594; Died, 1663 


258 BATTLE OF REPHIDIM. 
. The picture illustrates the following passage of Exo- 
dus XVII-8-18. 


8. Then came Amalek, and fought with Israel in 
Rephidim. 


9. And Moses said unto Joshua: choose us out men, 
and go out, fight with Amalek; tomorrow I will 
stand on the top of the hill, with the rod of God 
in mine hand. 


10. So Joshua did as Moses had said to him, and 
fought with Amalek, and Moses, Amron and Hur 
went up to the top of the hill. 


11. And it came to pass, when Moses held up his hands 
a ae a“ that Israel prevailed, and when he let down his 
hands Amalek prevailed. 


12. But Moses’ hands were heavy; and they took a 
stone, and put it under him, and he sat thereon, 
and Amron and Hur stayed up his hands, the 
one at the one side, and the other on the other 
side; and his hands were steady until the going 
-down of the sun. 


13. And Joshua discomfited Amalek and his people with 
the edge of the sword. 


Canvas. Signed at the right, on the saddle of the horse; 
dated 1856. Height, 21 inches; midth, 80 inches. 
Letter from Theobald Chartran with reference to 
above picture: 


“The Battle of Rephidim, by Nicolas Poussin is 
very curious as to its execution, and very rare on 
account of its small dimensions; the composition is 
very fine, it is full of action and of the belle epoque 
of this French master.” 


71 


EL GRECO (Attributed to) 
(Domenico Theotocopuli) 
Spanish, 1548-1614 


259 FLAGGELATION OF CHRIST. 


This powerful example portrays the flaggelation of — 


the Saviour while he was being dragged to the Cross, 


followed by the weeping Marys and other members of 
the family, accompanied by Roman Soldiers, and pre- 


Ly a y ceded by the two male factors. 
Canvas. — Height, 37 inches; width, 84Y% inches. 


ALESSANDRO MAGNASCO 
Italian, 1681-1747 
260 INTERIOR OF A MONASTERY. 
Canvas. Height, 23 inches; width, 17% inches. 


THOMAS MORAN 
Contemporary American Painter 
261 GRAND CANAL, VENICE. 
Water color. Signed and dated, 1900. 
Height, 14 inches; width, 25 inches. 


a F 
: F. DE HAVEN 
Contemporary American Painter 
262 THE DUNES. 
Canvas. Signed and dated, 1889. 
7 Height, 16 inches; width, 27 inches. 
if w¥ 


72 


yooreyvig “VW ydiey Aq 
NOS ONILLAS GNV NVIGNI GANOT ‘696 ON 


. Me - 
} “4 Se 


RALPH A. BLAKELOCK 
American, 1847- : 


268 LONE INDIAN AND SETTING SUN. 


The spiritual element predominates in this picture. 
Overhead is a wonderful gold, green, brown, and red 
spangled sky, with the sun, almost obscured, just sink- 
ing to the horizon. An Indian stands with his back to 
the spectator, facing the setting sun, and meditating 
on the wonderful spectacle of the sunset sky, in which 
he sees the work of the Great Spirit. A forest dimly 
appears in the distance, hemming in the plain, and in 
the foreground, at either side, are trees sketchily paint- 
ed in Blakelock’s typical manner. 


Canvas. Signed. Height, 24 inches; width, 36 inches. 
(See Illustration) 


J. CARLETON WIGGINS, N.A. 
Contemporary American Painter 


264 DRIVING SHEEP. 


Canvas. Signed. Height, 14 inches; width, 18 inches. 


PAUL WEBER 
German; Born about 1823- 


265 THE BROOK. 


Canvas. Signed and dated, 1864. : 
Height, 20 inches; width, 30 inches. 


F. W. KOST, W.A. 
Contemporary American Painter 


266 SUNSET IN THE HARVEST FIELD. 


Canvas. Signed and dated, 1901. | 
Height, 22 inches; width, 33 inches. 


74 


FRANCESCO GOYA Y LUCIENTES 

ae Spanish, 1746-1828 

£ VEGETABLE DEALER. 

_ Canvas. _-Height, 82 inches; width, 26 inches. 


G VAN DER ECKHOUT 
_ Dutch, 1621-1674 


veers Ae 40 inches; width, 26 inches. 


rare FERDINAND BOL 
Dutch, 1611-1681 


i < 
hae a : BN Nt 


iis: e Height, 29 inches; width, 23 inches. 


_PANTOJA DE LA CRUZ 
as Spanish, 1551-1609 
270 WOMAN PLUCKING GRAPES. 


Half-length figure of a woman evidently of the patrician 
type standing under a grape arbor. ‘The costume is 
rich crimson set off with black lace, splendidly jeweled, 
with a collar of Spanish lace and cuffs of the same 
material. : 


Canvas. Height, 3934 inches; width, 29 inches. 


F. VAN KREGTEN 
Contemporary Dutch Painter 


271 CATTLE AND LANDSCAPE. 
Canvas. Signed. 
Height, 39 inches; width, 2714 inches. 
75 


272 
Lw/ 
273 
274 
a 
a 
275 
In (77 
JV8 
276 
Lf 
277 


BRUCE CRANE, N.A. 
Contemporary American Painter 


SUMMER LANDSCAPE. 


Canvas. Signed. Height, 18 inches; width, 28 Saokee 


A. BIERSTADT, N.A. 
American, 1830-1902 


ROCKY MOUNTAINS. 


Canvas. Signed. Height, 30 a chwae width, 22 fachoe: 


F. HOPKINSON SMITH 
American, 1838-1915 


BY THE OLD MILL STREAM. 
Water color. Signed. 


Height, 19 inches; width, 27 inches. 


GEORGE INNESS, N.A. 
American, 1825-1894 


LANDSCAPE. 


Canvas. Height, 10 inches; width, 16 inches. 


Purchased from William Macbeth, New York. 


R. KEITH 
American 


LATE AFTERNON. 


Canvas. Signed. Height, 22 inches; width, 86 inches. 


PIERRE MIGNARD 
French, 1610-1695 


DUKE OF MARLBOROUGH. 


Canvas. Height, 80 inches; width, 25 nee 


76 


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No. 280. LADY CAROLINE 
‘ee By Francis Cotes, R.A. 


278 


279 


280 


281 


282 


283 


JUAN B. DEL MAZO MARTINEZ 
Spanish, 1610-1687 


INFANTA OF SPAIN. 
Height, 27 inches; width, 23 inches. 


Canvas. 


FEDERIGO BAROCCI 
Roman, 1528-1612 


FLIGHT INTO EGYPT. ae 


Canvas, Height, 514% inches; width, 42 inches. 


FRANCIS COTES, R.A. 

English, 1726-1770 
LADY CAROLINE. | 
Canvas. Height, 36 inches; width, 28 inches. 


(See Illustration) 


O. VAN VEEM 
Dutch, 1558-1629 


PORTRAIT OF A SAVANT. : 
Panel. Inscription, “EZ tatis Sve 56, 1627.” 
Height, 42% inches; width, 31 inches. 


ALEXANDER F. DESPORTES 
French, 1661-1743 


STILL LIFE. 
Signed and dated. 
Height, 33 inches; width, 45 inches. 


Canvas. 


A. J. GROENEWEGEN 
Contemporary Dutch Painter 
MILKING TIME. 
Canvas. Signed. 
Height, 23% inches; width, 88/2 inches. 


78 


J. G BROWN, N.A. 
American, 1831-1913 


284 TELLING THE NEWS. 


Canvas. Signed. Height, 25 inches; width, 30 inches. 
*From the J. G. Brown sale. 


GILBERT MUNGER 
American 


| 285 CATTLE AT PASTURE. 

‘fe Canvas. Signed. 

Je Height, 26% i : wi inch 

r ; ght, 26% inches; width, 36 inches. 


{ ITALIAN PRIMITIVE 
| 286 THE JUDGMENT OF PARIS. (Background by Bat- 
tista, figures by Raphael or Dossi). 


The scene in which the goddesses meet is a grove 
z guarded by nymphs and river gods. Paris with a crook 
— of a shepherd and a dog at his feet, delivers the apple 
to Venus, Juno threatens him with her finger, Minerva 
‘ _turns from him with disdain, and Mercury departs to 
‘ , spread the wondrous intelligence. Apollo in the sky 
By) , Re: has already started the chariot of the Sun, preceded by 
Lg the twins of their steeds, and Jove appears with the 
is goddesses in the clouds, supported on the outspread 
: mantel of the bearded giant “Firmament.” 
: Panel. Height, 25 inches; nidth, 18 inches. 


Some years ago a photograph of this picture was 

submitted to Dr. Bode of Berlin who expressed the 

| opinion that it was possibly the painting referred to 

. by Crowe and Cavalcasselle and others, and which 
i has been lost for several hundred years. 


SCHOOL OF VAN DYCK 


Canvas. Height, 54 inches; width, 40 inches. 


: (u- 287 CHARITY. 
: 79 


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288 


289 


290 


291 


292 


293 


CLAUDE LORRAIN 
French, 1600-1682 


ANCIENT ITALY. 


Canvas. Height, 40 inches; width, 50 inches. 


CORNELIUS DE VOS 
Dutch, 1585-1621 


CORNEILLE LANTSCHOT, RECTOR, UNIVERS- 
ITY OF LOVAIN. 


Canvas. Height, 50 inches; width, 40 inches. 


HENRY R. POORE, A.N.A. 
Contemporary American Painter 


SHEPHERD AND FLOCK. ? 
Canvas. Signed. Height, 17 inches; width, 20 inches. 


ALBERT BIERSTADT, N.A. 
American, 1830-1902 


HESSE CASTLE. 


Canvas. Signed. 
Height, 31% inches; width, 45 inches. 


FRANCIS POURBUS 
Flemish, 1569-1622 


MARIE DE GONZAQUE. 
Height, 50 inches; width, 40 inches. 


Canvas. 


CANALETTO (Antonio Canale) 
Italian, 1697-1768 


GRAND CANAL, VENICE. : 
Height, 35 inches; width, 52 inches. 
80 


Canvas. 


2 
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VENETION SCHOOL OF 
GIOVANNI BATTISTA TIEPOLO 


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- SCHOOL OF VAN DYCK 
295 PORTRAIT OF CHARLES I. 
a . Canvas. fw height, 59 inches; width, 48 inches. 


P. VERELST 
Dutch, 1614-1668 


996 Beech OF A MAN. 


Half-length figure of a gentleman in a black costume 
Be standing before a oeery.- aes pigned: : 

= J ite Page | Height, 311% inches; width, 25 inches. 
eS An original statement, signed by C. Hofstede de 


Groot, establishing the authenticity of this work, ac- 
companies the picture. 


D. ZEGHERS 
Flemish, 1590-1661 


297 “MADONNA AND CHILD. 
; Panel. Oval, surrounded by flowers. 


‘ Height, 23% inches; width, 19 inches. 
yo- 


JAN WEENIX 
Dutch, 1640-1719 


; 298 GAME SCENE. 
q £4 qu Canvas. Height, 36 inches; width, 28 inches. 
| 81 


300 MAN LEADING A BULL. | 


fey! 


Dut, 1620- 


Canvas. ‘Signed. | Height, 35 i 


THE ALEXANDER PRESS, 114-116 WEST 27TH ST., ‘ 


Se fae 


‘CLIFTON CARBEE 

Born in East Concord, Vermont. 
Educated in public schools of 
Boston. Studied drawing with 
George H. Bartlett of Boston, 
and painting with Hugo Breul — 
of Providence; afterwards in 
Paris with Bouguereau, Ferrier 
and Delecluse; later with Max 
f -~Bohm in Florence, Italy. Has 
“ exhibited in Paris Salon and all 
principal exhibitions in this 
\ country. Member Boston Art 
Club, Society of Odd Brushes 
and Copley Society of Boston. 


Ki ve oi 
Pr orgs 

; ii 
2% 


CHARLES COPELAND 


_ 


Member and past vice president 
~ of Boston Art Club. Vice Presi- 
dent. Boston Society of Water 
Color Painters. Has exhibited 
in nearly all the principal water 
color exhibitions in this country. 


~~ EDMUND GARRETT 

~ Born Albany, N. Y. Educated 
Roxbury and Boston Public 
Schools. Pupil of Leroux, Laur- 
ens, Boulanger, and Lefebvre. 
Silver medal Boston. Exhibited 
Paris Salon, Principal Exhibi- 
‘tions -U.'S.-A.. St. Louis and 
San Francisco Expositions. 
Boston Museum of Fine Arts. 
Member Boston Art Club, Cop- 
ley Society, American Art Asso- 
ciation. 


ABBOTT GRAVES 


Medals 1887, 1892, 1900, 1905. 
Honorary life member American 
Art Association of Paris. Mem- 
ber Salmagundi Club, New York, 
Boston’ Art .Club, Copley 
Society. Exhibitor Paris Salon, 
Universal Expositions, etc. 


HENDRICKS A. 


Born in Charlestown, Mass. 
Studied in Antwerp and Paris. 
Member and Past Vice President 
Boston Art Club, Salmagundi 
Club, New York, and Water 
Color Society, Boston.  Ex- 
hibited in Boston Art Club, 
American Water Color Society 
(New York), New York Water 
Color Club, Philadelphia, Chi- 
cago, St. Louis, in both Chicago 
and St. Louis -World’s Fairs; 
also Salmagundi Club, New 
York. 


s 


MELBOURNE H. 


Born in Digby, N.S., Sept. 29, 
1857. Studied in Boston and 
Europe with some of the best 
masters in Holland and Belgium. 
Member and Past Vice President 
Boston Art Club, Salmagundi 
Club, New York. Gold medal 
Ae AY os1 Ur 


MR. KRONBERG 


Studied at the Museum of 
Fine. -Arts, Boston; the Art 
Students’ League, New York; 
the Academie Julian, Paris. 
Member Boston Art Club, Cop- 
ley Society, Society of Odd 
Brushes and London Pastel 
Society. Awarded the Long- 
fellow Traveling Scholarship 
from 1894 to 1897. His works 
are owned by Boston Museum, 
Metropolitan Museum, Penn- 
sylvania Academy, Mrs. J. L. 
Gardner, Boston, and others. 
Silver medal at the Panama- 
Pacific Exposition, San Fran- 
Cisco. 


HALLETT 


HARDWICK 


ties feats a hale 


~ ithe SAS at, 


i a e. 


GEORGE W. LAWLOR 


Mr. Lawlor has returned to 
Boston after three years’ study 
abroad. He attended Academie 
Julian as a pupil of Jean Paul 
Laurens and Tony  Robert- 
Fleury and while there was 
awarded four prizes and two 
medals for drawing and paint- 
ing. Also studied with Mr. 
Henri Morriset and Mr. Richard 
Miller at Academie Colarossi 
and with Mr. Paul Richer~at 
Ecole des- Beaux Arts. Has 
exhibited at several exhibitions 
in Paris including the Salon des 
Artistes Francais, and in Boston, 
New York and Pittsburgh. 


CHARLES F. PIERCE 


Mr. Pierce has stood among the 
foremost animal painters for 
more than thirty years, exhibit- 
ing in the principal exhibitions 
throughout the country, and is 
represented in many _ public 
and private collections. Mem- 
ber Boston Art Club. 


FRANK H. TOMPKINS 


Is a graduate of the Royal 
Academy of Art, Munich, where 
he received for two years the 
first-class technical medal. 
Studied in Paris and Rome three 
years. Gold medal from the 
Charitable Mechanics’ Associa- 
tion Paintings in the Temple 
Collection of the Pennsylvania 
Academy of Fine Arts, Boston 
Art Club and Harvard Union. 
Member Boston Art Club. 


THURSDAY SALE 


, ae 
by 1 SUNDAY IN VENICE Garrett 
3s aye 2 CHAMPS-ELYSEES, PARIS Tompkins 
9-3 THE FORD, PEMBROKE,%+ 
MASS. . > Prerce- 
4e- 4 APPLE BLOSSOMS Carbee 
KIi- » BELLAGIO, lixGy Hardwick 
os ——e | 
ages $@6 i- 6 THE BREEZE FAILS Hallett 
4q- 7 AUTUMN Copeland. 
a10= 8 YVONNE Kronberg 
Paintedin Paris. Exhibited at Knoedler 
Gallery, New York, Brooks-Reed, Bos- 
ton, also at Philadelphia 
»*~- 9 GARDEN BY THE SEA Graves 
4% -.10 CARMEN Lawlor 
iG > aie : ae “< 
‘Pceeeees aes 5; 11 THE GENERALIFE FROM 
. Sone aan oe THE ALHAMBRA Garrett 
y3- 12 THE STUDIO IN PARIS Tompkins 
57-13 A FOREST POOL Pierce 
bjq- 14 STILL Lite Carbee 
37-15 OLD HOLLAND Hardwick 
34- 16 MORNING OFF SHORE Hallett 
/)g- 17 WILD APPLE TREE Copeland 
yt ~ 18 LA MODISTE Kronberg 
Exhibited at Doll and Richards. 
§9-19 THE GARDEN SEAT Graves 


gj- % FETE DU MONTMARTRE — Lawlor 
zo- 21 MONADNOCK OVER SUM- ~ 


MER FIELDS Garrett 
yO’ 22 THE MARKET IN ROTHEN- 

; BURG, GERMANY Tompkins 
,o- 23 A TROUT POND, MILTON, 

| MASS. Pierce 

v® 24 GIRL EMBROIDERING Carbee 


i) aan 


4 


THE FAMILY PET Pcie 
WINTER SUNSET Hallett 
‘HILLSIDE WITH SHEEP | Copeland 
PIERROT AND PIERRETTE| Kronberg 
THE LILY POND Brats 


AUTUMN SUNSHINE Puerce 


i~q 


PUNTA BALBINELLO, LAKE 3+ 
COMO Lawlor 
SUNSET ON CAPE COD Garrett 
THE MOVIE ORCHESTRA“ Ompkins 
GOING TO PASTURE Pierce 
NEW HAMPSHIRE HILL Carbee 
MAKING A LANDING, HOL- 
LAND Hardwick 
AFTER SUNSET, NG 
HAMPTON Hallett 
NOVEMBER Copeland 
BETWEEN THE ACTS Kronberg 
Exhibited at Boston Artists’ Guild. 
- HOLLYHOCKS Graves 
FIGURE a Lawlor 
AN OLD NANTUCKET HOME Garrett 
THe GLOSE OF DAY Pierce 
THE OLD WATERING 
TROUGH Carbee 
OCTOBER MORNING Hardwick 
BECALMED Hallett 
SURF Copeland & - 
GRANDMOTHER Kronberg W 
AZALEA GARDEN Graves 47 
A MOMENT’S GOSSIP Lawlor $- 
ST. BOTOLPH’S CHURCH Garrett yo 
Exhibited at American Water Color 
Society, New York. 
“9 


he 
¥ * 


HER ANSWER Carbee 
[- 


CLOUDY AFTERNOON, HO 
LAND Hardwick 


AFTER A GALE Hallett 
MAY TIME “Tt” Copeland 


LA SIESTA | Kronberg + 


Exhibited at Philadelphia and Boston. 
FERRY LANDING Ss s=- Graves 


A SUMMER MORNING | — Lawlor . 


HAMILTON HARBOR, 


BERMUDA 7¢- Garrett 


Exhibited at Philadelphia Art Club, 
New York Water Color Club. 


COWS DRINKING 3 Pierce 
AFTERNOON TEA Carbee 
SPRING MORNING Hardee 
THE HUNTING SEASON | Copeland 
ORIENTAL DANCER Kronberg 


Painted in London. Exhibited in Lon- 
don, Knoedlers, New York, Boston Art 
Club, Cleveland, etc. bi Ges 


THE BACK DOOR Graves 
AFTERNOON TEA $57 Lawlor 


Ga 
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FRIDAY SALE (lu Pa 
Manes 


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_ TROUT BROOK NEAR SHEL- 
BURNE FALLS, MASS. Pierce (2 = 


BELLAGIO, ITALY Hardwick %*” 
LILAC TIME 7 
MORNING Hallett 1-7 
SUNLIT. PEAK, ss wae 


Graves 4n7 


MAINE ° Copeland 


A STREET IN THE ALHAM fr 
* BRA | Garrett 
Exhibited New York Water Color Club. 


THE MARKET, ROME 39- Tompkins /°~ 
FRIEND OR FOE, Lawlor ®> 


THE FAN- 1$s- Kronberg s- 
Painted in Paris. Exhibited Philadel- 
phia, Toledo Art Museum, Los Angel a 


MORNING SUN 33- | 5 .Cathee* $= 
Su GEaP PASTURE, N. H.. | Pierce ju7 
OCTOBER, CAPE ANN | Hardwick 7- 
THE COUNTRY CHURCH ~— Graves — 


CHANNEL ISLAND CLIFFS  4Halleitt 3- 


THE LAST GLEAM Copeland Sn 
MEMORIES ' Garrett IS— | 
DORCHESTER BAY Tompkins | 
'GIRLHOOD Dear oe 
ETHEL Kronberg” S49 
THE ROSE a Carbee $x | 
LATE AFTERNOON Pierce tS | 
OCTOBER Hardwick 1- 


EASTERN POINT GARDEN Graves *~ 


HAY GUNDALOW, PLUMB 
ISLAND Halicii oS 


ae 3 es Rank 


. 9- 


b5- 98 
i327? 99 
zy - 100 
§ - 101 
&4- 102 
a 103 


4s~ 104 


1 $87 105 


1i7- 106 
ise 107 


4yo- 108 
54%? 109 
16-110 
Pi 
112 


H1- 


S{- 1 Es 
34- 114 


OLD CHURCH ON THE mas 
 THOMASTON, MAINE 


The bell in this tower cast by Paul 
Revere. 


THE BLUE SEAWAY Caer Garrett 
Exhibited New York Water Color Club. 2#7 


MOTHER AND CHILDREN Tompkins 


LE PETIT DEJEUNER Lawlor 
END OF THE BALLET Kronberg 
Painted in Paris. Exhibited at Boston, 
Philadelphia, Cleveland. 
SUNNY DAYS Carbee 
INDIAN CREEK, PEM- 
BROKE, MASS. Pierce 
BREAD WINNERS, HOL- 
LAND Hardwick 
ST. IVES GARDEN Graves 
NORMAN COTTAGE | Hallett 


Copeland | 


} 
AUTUMN NEW ENGLAND Copeland 


WONALANCET FALLS $°>- — Garrett 
IN THE PARK Tompkins @ 
A. WAYSIDE “INN, WEAK 
ROME Lawlor 
THE TAMBOURINE | 
DANCER Kronberg 


MANDOLIN SONG l Carven 


AUTUMN, WESTERN MASS- 


ACHUSETTS Pierce 


FISH AUCTION, HOLLAND 4Hardwick 


GOLDEN GLOW _ Graves 
SUMMER DAY, OFF SHORE Hallett 
THE COMING RAIN 


LAKE MAGGIORE 


Copeland 


Garrett 
THE FETE, PARIS Tompkins 
UNDER“ THE - MASK Lawlor 


8 


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‘ ee Fo if wer Bf —_ 
bt (us 


MENDING BALLET SKIRTS Kronberg 


_ Exhibited at Knoedler Gallery, New 


York, Cleveland and _ Philadelphia. 


HEAD OF YOUNG GIRL Gare 
GOING HOME Pierce 
WINTER MORNING, FE 
WAY . Flardwick 
MARBLEHEAD DOORWAY Graves 
THE WHITE SHIP _ Hallet 
ON RAGGED ISLAND; 
MAINE : Copeland 
COTTAGES AT PORLOCK Garrett 
New York Water Color Claby > 
THE FAIRY STORY Lawlor 
THE DEBUTANTE~. Kronberg 
Painted in Paris. bq i . 
HER FUTURE Carbee 


MORNING, MARBLEHEAD | 
HARBOR FROM THE NECK Hallett 


THE HOUNDS AT PORLOCK Garrett 


Exhibited at American Water Color 
Society. 


VIOLETS Kronberg 


hy 


SATURDAY SALE 


HEART OF VERMONT LTompkins — 


AN IDLE HOUR Carbee 


THE RED SASH Kronberg 


Exhibited at Boston Art Club, Toledo 
Art Museum, Los Angeles. 


GOSSIPS, HOLLAND Hardwick 
POULT Pierce 
PIAZZA DELL’ ERBE, 

VERONA Garrett 
BEVERLY GARDEN Graves 
REVERIE Lawlor 
A GALM Hallett - 
SUNSET Copeland 


V 
4“ 


THE LAST SACRAMENT Tompkins 


“LOVE’S OLD SWEET SONG” Carbee 


BALLET GIRL, GREEN Kronberg 


Exhibited at Toledo Art Museum, San 
Francisco, Los Angeles . 


VILLAGE CHURCH, ANNIS- 


QUAM Hardwick © 
THE BACK LAND _ Prerce 
CLOVELEN Garrett 


American Water Color Society, Penn- 
sylvania Academy, St. Louis Exposition. 


JUNE: ROSES Graves 
CUPID DISARMED Lawlor 
A BIT OF ST. IVES, CORN- 

WALL FAfallett 
WHERE THE DEER COME 

TO DRINK Copeland 
MOTHER AND CHILD Tompkins 
IN FHE BLUE ROOM Carbee 
THE KIMONO Kronberg 


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(eanen'es pan Sraeanirues 
aa YN eN ? Midis bated gies #8 MARS 


